SOLO EXHIBITION IN THE GROUP EXHIBITION "SLASH".

MAC MUSEUM, SANTIAGO, CHILE.

HAND-PAINTED TILES INSTALLED ON A COMPOSITE ALUMINUM PANEL.

EMBROIDERY WITH WAXED THREAD ON PLASTIC MESH.

HEXAGONS: WINDOW VISION VINYL ON GLASS AND BLACK ACRYLIC SHEET.

We repeat constantly, day after day. We can repeat forms, images, objects, actions. Music and theatre are pure repetition. However, repetition contains a fundamental contradiction: it cannot exist; it fades simultaneously with time. Essential matters —geometry, nature, the human, the soul, to name a few— are always the same. What varies, and renders repetition impossible, are the different manifestations of the essential, bound both to individual perceptions and to temporality. In my artistic practice, I seek to embrace this contradictory quality as a condition that cannot be evaded and does not allow for a closed resolution. Nevertheless, I have come to understand repetition from multiple perspectives: repetition as a validation of our thoughts and feelings; repetition as a method of learning and understanding; repetition as an illusion of order and control. Repetition also as a mimesis of the cyclical condition of the universe; consequently, infinite repetition.